Miracle by Lentheric c1924

In 1924, Lentheric introduced a perfume that captured the imagination of its time: Miracle. The choice of the name "Miracle" was not random; it was deeply connected to a cultural event of the era. The perfume was named after The Miracle, a play produced by the renowned director Max Reinhardt, which starred the actress Diana Manners. 

Lentheric strategically launched the fragrance to coincide with the U.S. premiere of this elaborate pantomime at the Century Theatre in New York City on January 15, 1924. The back of the program for the play featured a full-page advertisement for the perfume, showcasing the strong link between the scent and the theatrical experience. The play itself was a collaborative masterpiece, with a program by Karl Vollmoeller, a score by Engelbert Humperdinck, and striking designs by Norman Bel Geddes, including two full-page illustrations of costumes rendered in ink and watercolor.

The word "Miracle," derived from the Latin "miraculum," meaning "wonder" or "marvel," evokes images of awe, the supernatural, and the extraordinary. It brings to mind feelings of reverence and amazement, as if something divine has touched the mundane world. In the context of scent, "Miracle" would suggest a fragrance that transcends the ordinary, a composition that feels almost otherworldly in its beauty and complexity. For the women of the 1920s, a perfume named "Miracle" would have resonated deeply, offering them a sense of enchantment and escape from everyday life. The allure of such a name would be powerful, promising not just a fragrance but an experience that could transform and uplift.

Lotus D'Or by Lentheric c1924

Launched in 1924, Lotus D'Or by Lentheric stands as a symbol of refined luxury and floral opulence, reflecting the aesthetic and cultural sensibilities of the early 20th century. The name "Lotus D'Or" is derived from the French language, with "Lotus" referring to the lotus flower, a symbol of purity and beauty, and "D'Or" meaning "of gold." Pronounced "lo tis door," the name evokes an image of a golden lotus, shimmering with elegance and grace. This imagery suggests a fragrance that is both precious and rare, offering a luxurious experience akin to the beauty of a lotus flower gilded in gold.

The word "Lotus D'Or" conjures emotions of serenity, sophistication, and timeless beauty. The lotus, revered in many cultures for its purity and resilience, growing pristine out of muddy waters, is paired with the idea of gold, a symbol of wealth and prestige. Together, these elements suggest a fragrance that embodies both natural beauty and luxurious refinement. It evokes visions of serene, golden-hued gardens, where the air is filled with the delicate scent of blooming flowers. This would be a scent that feels both uplifting and grounding, capturing the essence of a radiant, golden blossom in full bloom.

In terms of scent, "Lotus D'Or" would likely be interpreted as a fragrance that blends the freshness and purity of floral notes with a warm, rich undertone. The fragrance was described as "sweet and blossomy," with a "delicate, natural bouquet" that was both "gay and sophisticated." The combination of these descriptors suggests a perfume that was light and airy, yet deeply floral, with a complexity that hinted at the luxurious and golden quality implied by its name. The claim that the perfume was "composed of 112 floral fragrances" further emphasizes the richness and depth of this composition, making it a true celebration of nature's floral diversity.

Women of the 1920s, a time of significant cultural change and liberation, would have related to a perfume called "Lotus D'Or" as a statement of elegance and modernity. The 1920s, known as the Roaring Twenties, was an era of newfound freedom, where women embraced more daring fashions and lifestyles. A perfume with a name that evoked both natural beauty and golden luxury would have appealed to the sophisticated, modern woman of the time, who sought to express her individuality and refined taste through her choice of fragrance.