Pink Party by Lentheric c1940

Released in 1940, Pink Party by Lentheric was a fragrance that captured the essence of its era with a name brimming with charm and festivity. The choice of "Pink Party" as the name was both evocative and strategic, designed to conjure images of elegance and joyous celebration.

The term "Pink Party" conveys a sense of light-hearted glamour and cheerful sophistication. The color pink, often associated with romance, femininity, and playfulness, immediately suggests a fragrance that is both charming and approachable. The word "Party" adds a festive element, hinting at a scent that would be perfect for social occasions and celebrations, reflecting the vibrant and exuberant spirit of the time.

In scent, "Pink Party" would likely be interpreted as a fragrance with a lively and engaging profile, perhaps featuring a blend of floral and fruity notes that evoke the freshness and fun of a joyous gathering. The perfume might open with bright, fruity top notes that capture attention, followed by a heart of delicate florals that mirror the elegance of a pink-themed celebration. The base would likely be soft and inviting, leaving a lasting impression reminiscent of the lingering warmth and happiness of a party.

The launch of Pink Party in 1940 came at a time when the world was on the brink of significant change. As the fragrance industry navigated the challenges of the late 1930s and the early 1940s, this perfume offered a touch of escapism and joy. During this period, many fragrances began to embrace lighter, more playful themes, reflecting a shift from the more opulent and heavy scents of the previous decades. Pink Party's name and likely composition would have appealed to women looking for a scent that embodied the elegance and excitement of social events, offering a brief, fragrant respite from the era's uncertainties.

Tweed by Lentheric c1933

Lentheric's decision to name their 1933 fragrance "Tweed" reflects a deliberate attempt to capture the essence of sophistication, durability, and timeless elegance associated with the fabric of the same name. The word "Tweed" is derived from the English language, specifically referencing the hardy, woolen cloth traditionally woven in Scotland. By choosing this name, Lentheric sought to evoke images of the British countryside, characterized by rolling hills, misty moors, and a heritage steeped in tradition. The name "Tweed" would have resonated with the refined, worldly woman of the time, conjuring a sense of comfort, resilience, and understated luxury.

The word "Tweed" itself brings to mind images of autumnal landscapes, hunting lodges, and the refined yet rugged charm of the English gentry. It evokes emotions of warmth, sophistication, and a connection to nature. In scent, "Tweed" would be interpreted as a fragrance that is both classic and complex, with a balance of fresh and earthy notes that mirror the tactile sensation of the fabric. The mossy fougère/chypre composition of the fragrance, with its distinctive herbal lavender note, would have been a perfect olfactory representation of the texture and depth of tweed fabric. The fragrance's fresh, flowery, and fruity top notes, followed by a classic floral heart and resting on a powdery base, would evoke the natural landscapes where tweed was traditionally worn—lush, green, and vibrant, yet grounded and enduring.

Women of the 1930s would have related to a perfume called "Tweed" as a symbol of refined taste and modern sophistication. The early 1930s were a period marked by a return to classic elegance in fashion and lifestyle, following the exuberance of the 1920s. Tweed as a fabric was not only practical and durable but also carried connotations of aristocratic leisure and outdoor pursuits. A woman wearing "Tweed" would have been seen as someone who appreciated tradition while also embracing a sense of independence and confidence—a reflection of the changing roles of women during this time.

Gay Gift Perfume Presentation c1944

Gay Gift was a perfume presentation from 1944. These were packaged in a tiny pale blue shadow-box, displaying a boutonniere that can be detached and worn on lapel is the Christmas gift item Lentheric featured for three miniature bottles of its leading perfumes, "Tweed," "A Beintot" and "Confetti."

Miracle by Lentheric c1924

In 1924, Lentheric introduced a perfume that captured the imagination of its time: Miracle. The choice of the name "Miracle" was not random; it was deeply connected to a cultural event of the era. The perfume was named after The Miracle, a play produced by the renowned director Max Reinhardt, which starred the actress Diana Manners. 

Lentheric strategically launched the fragrance to coincide with the U.S. premiere of this elaborate pantomime at the Century Theatre in New York City on January 15, 1924. The back of the program for the play featured a full-page advertisement for the perfume, showcasing the strong link between the scent and the theatrical experience. The play itself was a collaborative masterpiece, with a program by Karl Vollmoeller, a score by Engelbert Humperdinck, and striking designs by Norman Bel Geddes, including two full-page illustrations of costumes rendered in ink and watercolor.

The word "Miracle," derived from the Latin "miraculum," meaning "wonder" or "marvel," evokes images of awe, the supernatural, and the extraordinary. It brings to mind feelings of reverence and amazement, as if something divine has touched the mundane world. In the context of scent, "Miracle" would suggest a fragrance that transcends the ordinary, a composition that feels almost otherworldly in its beauty and complexity. For the women of the 1920s, a perfume named "Miracle" would have resonated deeply, offering them a sense of enchantment and escape from everyday life. The allure of such a name would be powerful, promising not just a fragrance but an experience that could transform and uplift.

Lotus D'Or by Lentheric c1924

Launched in 1924, Lotus D'Or by Lentheric stands as a symbol of refined luxury and floral opulence, reflecting the aesthetic and cultural sensibilities of the early 20th century. The name "Lotus D'Or" is derived from the French language, with "Lotus" referring to the lotus flower, a symbol of purity and beauty, and "D'Or" meaning "of gold." Pronounced "lo tis door," the name evokes an image of a golden lotus, shimmering with elegance and grace. This imagery suggests a fragrance that is both precious and rare, offering a luxurious experience akin to the beauty of a lotus flower gilded in gold.

The word "Lotus D'Or" conjures emotions of serenity, sophistication, and timeless beauty. The lotus, revered in many cultures for its purity and resilience, growing pristine out of muddy waters, is paired with the idea of gold, a symbol of wealth and prestige. Together, these elements suggest a fragrance that embodies both natural beauty and luxurious refinement. It evokes visions of serene, golden-hued gardens, where the air is filled with the delicate scent of blooming flowers. This would be a scent that feels both uplifting and grounding, capturing the essence of a radiant, golden blossom in full bloom.

In terms of scent, "Lotus D'Or" would likely be interpreted as a fragrance that blends the freshness and purity of floral notes with a warm, rich undertone. The fragrance was described as "sweet and blossomy," with a "delicate, natural bouquet" that was both "gay and sophisticated." The combination of these descriptors suggests a perfume that was light and airy, yet deeply floral, with a complexity that hinted at the luxurious and golden quality implied by its name. The claim that the perfume was "composed of 112 floral fragrances" further emphasizes the richness and depth of this composition, making it a true celebration of nature's floral diversity.

Women of the 1920s, a time of significant cultural change and liberation, would have related to a perfume called "Lotus D'Or" as a statement of elegance and modernity. The 1920s, known as the Roaring Twenties, was an era of newfound freedom, where women embraced more daring fashions and lifestyles. A perfume with a name that evoked both natural beauty and golden luxury would have appealed to the sophisticated, modern woman of the time, who sought to express her individuality and refined taste through her choice of fragrance.